19 世纪,气味让位于香味

罗伯特-内夫
曾发表于韩国时报
特色图片:约 1900 年,安伯利夫人和她在首尔的花园。.

园味
Lorence-Hedleston Crane 所著的《韩国的花卉与民俗》是一本介绍韩国动物的好书。由 Diane Nars 收藏提供

19 世纪末 20 世纪初,关于首尔的描述充斥着这样的抱怨:街道上挤满了牛、小马和人,大家都试图避免掉进敞开的下水道或踩到人和动物的排泄物,烟雾弥漫的空气中似乎弥漫着恶臭。虽然这些描述可能有些道理,但也有一些更客观的观察者--那些愿意睁大眼睛(和鼻子)看正面事物的人--做出了非常积极的描述:

“人们几乎可以称(韩国)为 "百合花之国"。.

在果园里,桃花和梨花让整个大地充满了光彩和美丽。在无尽的四季轮回中,从下雪到再下雪,都有可爱的花朵绽放。山丘和山谷中的杜鹃花色彩缤纷,从雪白到最深的橙色,色彩斑斓。一位植物学家在汉城周围的山上漫步了一个下午,就带回了一束有四十七个品种的花;另一位植物学家在[珍木浦(今仁川)]附近,一天之内带回的花比这个数字多出十几种”。”

花园里的欢乐芬芳.

当其他人抱怨首尔及其下水道的 “腥臭味 ”时,作家却在春天的芬芳中找到了快乐:“并非所有的花朵都散发着甜美的气味,但它们的香气足以让从高山上掠过的微风沁人心脾。特别是在春天,微风中常常飘来香气,让人神清气爽,心旷神怡。到了秋天,香味会让位于色彩和更耐寒的花朵。其中,翠菊和金鸡菊让山丘呈现出猩红、金黄、紫色和各种色彩”。”

园味
在首尔生活的一大好处是,市政府致力于在全市种植花圃。2019年春天,自行车道两旁鲜花盛开。罗伯特-纳夫作品集

在首尔生活的一大好处是,市政府致力于在全市种植花圃。2019年春天,自行车道两旁鲜花盛开。罗伯特-纳夫作品集

莉莉娅斯-安德伍德(Lillias Underwood)于 1880 年代中期抵达朝鲜,曾一度担任朝鲜王后的西医,她在文章中毫不避讳地描述了她对朝鲜的好与坏的印象。她写道:“韩国是辉煌的......这个国家在 5 月和 6 月相当陶醉在百花争艳的美景中......[而且]首尔的所有环境都被精致的水果花、桃子、杏子、李子、樱桃和梨花甜美地包围着”。她接着说:“山上的杜鹃花开得满山红遍,道路两旁和篱笆上到处都是可爱的小虞美人,散发着最娇艳的香气”。她最喜欢的花卉之一是春天生长在南汉山坡上的 “处女般的白色金银花”。.

园味
2020 年春,首尔周围城墙的一部分。罗伯特-内夫收藏

出售山谷百合花.

显然,一些年轻的韩国企业家意识到,可以通过外国人对野花的欣赏来赚钱。1899 年,《Korean Repository》(一份在首尔出版的英文杂志)写道

“一些小伙子带着待售的山谷百合花拜访外国人的住所。有人建议,由于这些美丽的花朵在移植后很少生长,外国人[应该]劝阻这些小伙子不要购买”。”

许多--如果不是大多数--在首尔的西方居民培养了 自己的花园. .当然,菜园和果园也是必不可少的,因为它们能满足外国社区的大部分需求。1897 年,金室坡的花园收获了近 500 夸脱(473 升)草莓。威廉-麦肯泰尔-戴伊(William McEntire Dye)将军是朝鲜军方的美国顾问,他在汉城有一个巨大的果园,种植巴特利梨、苹果、樱桃和其他水果。.

花圃也是必不可少的,因为花圃在视觉上和香气上都令人愉悦,并为婚礼和洗礼等庆典活动增添光彩,在 19 世纪晚期常见的葬礼上,花圃还能帮助逝者的心灵得到慰藉。.

莉莉娅斯将她的花园描述为

“这里几乎一年四季都很可爱。首先是早春的连翘黄花,然后是紫罗兰和一些最早的果花,接着是开花的杏仁和白丁香、紫藤花、蓬松的青白色雪球,还有门前两边的两大丛黄玫瑰,让人想起祖母在亲爱的美国的花园。到了六月,玫瑰花又急急忙忙地开了,之后,谁也想不到还有什么别的花了。整整一树篱的大马士革玫瑰花丛,每天都要剪掉上百枝,家里的每个碗、罐子和花瓶都塞满了玫瑰花,玫瑰花还被送给了所有的邻居,然而,玫瑰花却一直开个不停,永不凋谢,家里人永远也跟不上它们的脚步”。”

当然,在这样一个百花盛开的地方 还有成群结队的蜜蜂“嗡嗡声让人几乎无法思考”

韩国小花园的气味不错。.

并不是只有外国人在种植花园。在信件、杂志和报纸的文章中,时不时会提到韩国人在有空间的地方开辟小花园。有时,这些韩国园艺家会与思想狭隘的官僚发生冲突,1897 年当地报纸上刊登的这篇文章就是证明:

“本市一位名叫 Tai Duk-yep 的有心人在自家院子里建造了一个漂亮的花园,展示了园艺技巧和园林艺术。他允许游客参观他的花园,并向他们收取几分钱的门票,他认为这是正当合法的生意。但出乎他意料的是,警察局副局长昨天命令他停止这项业务,理由是这有损人们的腰包”。”

园林气味需要资金和工作。.

开垦花园并非易事。这需要大量的工作和资金。许多花卉和灌木都是从美国和欧洲购买的,但这样做往往风险很大。有时种子会在运输途中丢失或被盗--约翰-希尔(美国驻朝鲜公使)的一箱种子和一些雪茄在从珍母浦运往首尔的途中被盗。他悬赏 10 美元(这是一笔巨款),但那个抽雪茄的小偷始终没有抓到。.

有时,当种子、球茎和幼苗运到时,它们已经腐烂或死亡--浪费时间和金钱。几个日本园艺家意识到,如果能从首尔迅速提供种子和植物,并提供担保,就能赚钱。这些园艺家之间的竞争十分激烈,他们不是用剑,而是用当地的英文报纸《独立报》进行对决。.

园味
2019 年,自行车道上花团锦簇。罗伯特-纳夫作品集

1896 年 12 月 15 日,《独立报》在其地方项目专栏中报道了这一消息:

“日本园艺家高桥先生希望从汉城的外国人那里获得鲜花、花木和建造花园的订单。他保证提供一流的服务”。虽然这本身不是广告,但确实激怒了他的竞争对手。.

四个月后,K. Yamashita 在报纸上刊登了一则广告,宣传他精选的 “花木或果树”,一旦收到订单就会立即发货。他还提供了一项保证:“如果树木不茁壮成长,将免费更换”。他还表示可以低价建造豪华花园和花坛,并指出他是 “本市法国公使馆和日本领事馆花园的建造者”,以供参考。”

Y.高桥 Y 进行了报复。.

两周后,Y. Takahashi 反击,不仅打出了 “各种花木、果树、灌木和花卉,一经接单,立即供应 ”的广告,价格适中,还宣称自己是 “农业专家和园艺家”。”

一年后,山下宣传自己是 “汉城唯一的花卉和园林专家”,双方都加大了宣传力度。他说 “从日本引进了 25000 棵果树、花树和遮荫树”,“他的花园里收藏了最完整的珍稀美树”。”

高桥在回答时列举了自己在园艺方面的骄人背景:“日本园艺协会会员和帝国农业协会会员”。他接着说他接着说:“我的花园里有许多美丽的遮荫树、果树、灌木和开花植物,都是为我的客户准备的。我将为您种植它们,并保证它们会让您非常满意”。”

由于该报在 1898 年 12 月 31 日之后就不再定期出版,因此这场竞争的结果并不清楚。很有可能,他们继续互相争斗了很多年,也与新来的插足者争斗了很多年--他们平静的生活只是被他们的竞争打断了。.

感谢 Diane Nars 提供的宝贵帮助并使用了她的图片。.


罗伯特-内夫撰写或与人合著了多部书籍,其中包括, 朝鲜来信, 西方眼中的韩国短暂邂逅. .Robert D. Neff 是一名自由撰稿人和历史研究员,专门研究 19 世纪末 20 世纪初的韩国历史。亚洲协会韩国分会的马修-芬内尔(Matthew Fennell)与他讨论了这本新书。. 采访

您可以通过以下方式关注罗伯特 脸书

Roots of K-pop, number one powerful culture!

The Roots of Modern 韩国流行音乐 
The Influence of the US Military and Underground Clubs

The Roots of K-popAmidst the 25 sprawling districts of Seoul lies a colourful neighbourhood called Itaewon and it is the country’s crossroads for all things foreign. The roots of K-pop are here. Accordingly, the area is home to most of Korea’s foreign population of 20,000 plus ex-patriots in addition to housing the Yongsan Garrison of some 20,000 American troops and affiliates. The main Itaewon strip holds a long history of cultural commerce catering to the foreign population, rampant tourists, US military personnel, and of course, native Koreans.

A stretch of street carts and elderly hustlers swindle vulnerable tourists for counterfeit Gucci bags and LV wallets. Nestled behind the strip and atop a small hill, dodgy bars and gay clubs entice super camp crowds. Quaint Korean couples in matching outfits wait in lines for hours for what is over-priced ‘American-style brunch.’ Herds of Chinese tourists take over entire restaurants for what is ‘authentically Korean BBQ’. And ofcourse the roots of K-pop.

From the roots of K-pop to 韩流

Itaewon class
Tip: Get a dramatized look at this special part of Seoul. Look at the stunning tv K-drama Itaewon class.

Hooker Hill seats transgenders on corners making cat calls to foreign businessmen with hungry eyes. In narrow alleys, Africans and Middle Easterners slang used cell phones and international calling cards next to stalls of steaming Korean street foods. As if it’s very own borough in Yongsan District, Itaewon thrives on the constant clashing of all these cultural, social and political forces. It survives on the coming and going of different people from different places- on the transience of hybrid culture.

Influence of Itaewon on Roots of K-pop. 

Fluid and unconventional, this hybrid culture underlines the inimitable influence of Itaewon on Korean mass culture- more specifically for this feature, Korean popular music culture. Yeah, the root of K-pop is here. By examining Itaewon’s historic practice of music circa the Cold War to the present, we can begin to understand how K-pop music came to sound the way it sounds and even look the way it looks. Even more, we can make sense of how a lesser-known Hanguk rapper was able to bring a mob to SXSW 2015 with just one song on YouTube.

赞助商致辞

高阳锦鲤养殖场高阳锦鲤养殖场为韩流带来了一抹亮色: 韩流. On top of K-pop, K-music we introduce K-Carp. We grow Korean Fancy carp on our farm. In Japan, these beauties are called Nishikigoi or Koi for short. We call them Ing-eo (잉어). In Korea, carp symbolizes strength and perseverance. They are dragons that stand for long life. Korean Koi, K-carp floats on Hallyu.  Goyang Koifarm: the Korean Koi Wave! 

 

Own day for Roots of K-pop.

This is how fifty years of minority music and club scene established what is K-Pop today.

Bounded by high cement walls with barbed wire, the Yongsan Garrison, or ‘the base,’ dominates a major part of the Itaewon area. Serving still today as the headquarters for the United States arms since 1957. The garrison was actually built in 1910 and occupied by the Imperial Japanese Army. For more than 100 years, this political pocket claims the presence of foreign power. Likewise, lifestyle and economic enterprises servicing this foreign presence have been since compulsory.

Roots of K-pop; after the Liberation of August 15, 1945.

Korean popular culture was emancipated from Japan’s seizure. It then become circumscribed with the entrance of the USA Occupational Forces. The liberation process overtly positioned American culture as a mainstream element in Korean daily lives. This is strongly apparent in the intense establishment of radio broadcasting by the American Occupational Forces. While the Nipponese used the radio for organizational purposes, the American soldierly infiltrated broadcasting as part of their enculturation coals. As the chief resource to reach the most Koreans, the radio became an important means of American policy and cultural promotion. By 1957, the American Forces Korea Network (AFKN) launched and sonically penetrated Korean homes with American pop music.

Real Roots of K-pop Korean Nat King Cole.

Complementing this aural acquisition, a new standard of Korean pop music emerged. Throughout the 1960s, Korean entertainers became to identify mimics of American pop artists for US military entertainment. Heejoon Choi aka Nat King Cole; Patti Kim aka Patty Page; and the Kim Sisters, Korea’s first girl group to tour the US, were featured on the 8th Division Stage — a musical showcase made solely to amuse the Yongsan Garrison.

American radio in Korean homes.

As these 8th Division Stage musicians gained exposure through the radio, they became the vanguard of modern Korean music mainstream. The songs exuded promising sounds of American standard pop, jazz, and blues combined with popular rhythms from slow rock, swing and waltz. In general, the 8th Division entertainers conveyed a very “American” middle-class lifestyle that effectively resonated into Korean homes.

Read more about the Roots of K-pop Maekan

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Korean Ceramics Mastery: 400 great Years of Resilient Artistry

The Enchanting World of Korean Ceramics

The Rich Heritage of Korean Pottery

The history of Korean ceramics is a captivating journey that stretches back to prehistory, beginning with simple brown wares adorned with geometric incisions. Influenced by the techniques of their Chinese counterparts, Korean potters soon developed their own distinctive and highly sought-after styles, including grey stoneware, celadon (or greenware), buncheong ware, and white porcelain. The innovative designs range from intricately detailed incense burners to the sublime simplicity of the maebyeong vase. Korean pottery often features decorations inspired by plants, flowers, and wildlife, and reflects the country’s rich religious heritage, showcasing both Buddhist motifs and minimalist Confucian designs.

The Evolution of Korean Ceramics Through the Ages

韩国历史
新罗陶瓷武士

The story of Korean ceramics begins during the Three Kingdoms of Korea (57 BC-668 AD)—Silla, Goguryeo, and Baekje. These early periods saw the production of rough domestic wares from numerous kilns. They also created sophisticated statues of royal figures, guardians, and horses, comparable to Chinese Han Dynasty figures. These statues served domestic and imperial votive shrines and acted as escorts for the deceased in the tombs of nobles and kings. These early works were crafted using both the potter’s wheel and the traditional hammered clay and coil method.

The Golden Age of Koryo Celadon

The nearly five centuries of the Koryô dynasty (918–1392) are often considered the golden age of Korean ceramics, particularly for the exquisite celadon pottery. This period saw the creation of highly vitrified glazes in a stunning grey-green color, achieved through the presence of iron in the clay and the careful balance of iron oxide, manganese oxide, and quartz particles in the glaze, combined with precise firing conditions. The early Koryô celadon pieces are notable for their elegant forms and the absence of surface decoration, highlighting the beauty of the glaze itself. By the late 11th and early 12th centuries, these master potters began to experiment with carved and incised decorations under the translucent sea-green glaze, creating pieces that remain unparalleled in their beauty and craftsmanship.

The Ceramic War: A Tumultuous Chapter in Korean Ceramic History

In the late 16th century, the serene and flourishing world of Korean ceramics faced an unprecedented upheaval during the Imjin War (1592-1598), also known as the Japanese invasions of Korea. This period marked a tragic end to Korea’s golden age of ceramics, as the country endured severe destruction, and many of its master potters were either killed or abducted by Japanese forces.

The Invasion and Its Impact on Korean Artisans

Japan, under the leadership of Toyotomi Hideyoshi, launched a series of invasions with the ambition of conquering Korea and using it as a springboard to invade China. The conflict devastated Korea’s cultural landscape, but one of the most significant and often overlooked aspects of this war was the targeted abduction of Korean ceramic artists. Recognizing the extraordinary skill and craftsmanship of Korean potters, the Japanese invaders sought to capture these artisans to enhance their own ceramic industry, which was then in its developmental stages.

During the invasions, many Korean kilns were destroyed, and countless pieces of pottery were lost forever. However, the most tragic consequence was the forced relocation of hundreds of Korean potters to Japan. These skilled artisans were taken to various regions in Japan, including Arita, Hagi, and Satsuma, where they were compelled to establish kilns and share their techniques with Japanese craftsmen.

The Birth of Japanese Porcelain

korean ceramicsThe Korean potters’ expertise significantly influenced the development of Japanese ceramics, leading to the birth of Japanese porcelain. In Arita, for instance, the presence of Korean artisans like Yi Sam-pyeong (later known as Kanagae Sanbee) was instrumental in discovering the local kaolin deposits necessary for porcelain production. This discovery marked the beginning of the renowned Arita porcelain industry, which would later become famous worldwide.

While the Japanese ceramic industry flourished with the influx of Korean techniques and artistry, Korea’s ceramic tradition suffered a severe blow. The loss of so many master potters meant that the production of exquisite celadon and other traditional wares diminished significantly. The once vibrant kilns of Korea struggled to maintain their former glory, and the quality of ceramics produced during this period reflected the turmoil and loss experienced by the artisans and their communities.

A Legacy of Resilience and Revival

Despite the devastation, the spirit of Korean ceramic artistry was not entirely extinguished. The subsequent Joseon dynasty (1392-1897) saw efforts to revive the country’s ceramic heritage. Potters who remained in Korea continued to innovate and adapt, developing new styles and techniques that reflected both resilience and a deep-seated reverence for their craft. The introduction of buncheong ware and the refinement of white porcelain during the Joseon period are testaments to the enduring ingenuity and creativity of Korean potters.

Contemporary ceramic art.

Kim Yik-yung is a prominent Korean ceramic artist who has significantly advanced contemporary ceramic art. 图像 

Today, the story of the Ceramic War is a poignant reminder of the resilience of Korean artisans and the enduring impact of their craft. The legacy of those who were lost and those who continued their work under harrowing circumstances is evident in the timeless beauty and innovation that defines Korean ceramics. This chapter of history underscores the profound interconnectedness of cultures and the enduring power of art to transcend even the most tumultuous times.

Discover More About Korean Ceramics

Dive deeper into the fascinating history of Korean ceramics and uncover the stories behind these stunning creations. Visit the link below to learn more about this unique and enchanting art form. : Venice clay artists or ancient  

If you’re passionate about Korean ceramics, join our community on Facebook for more insights and discussions. 在 Facebook 上.

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